Archive for the ‘Geometry’ Category

Hidden Universal Symmetry


For millennia philosophers, mathematicians, architects, artists and mystics have been interested in the divine proportion, but its understanding has been highly fragmented. My recent work attempts to show how the divine proportion is a hidden universal symmetry worthy of comprehensive study and understanding.

Euclid’s book Elements (300 BCE) contains the first known written definition of the divine proportion, something he called the mean and extreme ratio:

“A straight line is said to have been cut in extreme and mean ratio when, as the whole line is to the greater segment, so is the greater to the lesser.”

Euclid’s mean and extreme ratio is better known today as the golden mean, golden ratio or divine proportion. These names refer to the act of cutting a line at one uniquely important point. Point C cuts the line AB at the divine proportion if and only if the whole line (α+β) is in proportion to the longer segment (α) in exactly the same proportion as the longer segment (α) is to the shorter segment (β).


The Greek letter Ф (phi) is used to denote the divine proportion. Ф is an irrational number whose decimal approximation continues forever without repeating. In fact, the divine proportion turns out to be “the most irrational number” of all. [1]

“Geometry has two great treasures; one is the Theorem of Pythagoras; the other, the division of a line into extreme and mean ratio. The first we may compare to a measure of gold, the second we may name a precious jewel.” -Johannes Kepler (1571-1630)

Scientists are just recently starting to catch on to the divine proportion’s role in patterning the universe.

In 2010 an international team of scientists discovered the divine proportion in the quantum world. Researchers created a chain, one atom wide, of linked magnetic atoms and tuned the system to the “Schrödinger’s cat state” of quantum uncertainty [2].

They discovered that in that state the frequencies of the atoms’ spins resonated in the golden ratio. The team’s leader Dr. Radu Coldea said, “It reflects a beautiful property of the quantum system—a hidden symmetry.” The story about their discovery was the most-visited story in 2010 on EurekAlert, the global source for science news. I will save my speculations about why this was so until a bit later in this article.

In 2015, by combining advanced knowledge of mathematics and physics, Tamar Friedmann and C. R. Hagen discovered that the energy levels of a hydrogen atom are based on π, the ratio of a circle’s circumference to its diameter. [3] They showed that the modern quantum-mechanical description of hydrogen’s atomic energy levels is mathematically equivalent to John Wallis’ historic mathematical formula for π (published in 1656).

My opinion of the age old debate is that mathematics appears to be discovered rather than invented.

The Wallis formula is an infinite product equivalent to the area of a square compared to the area of an inscribed circle (4/π). I find it especially interesting that 4/π is 99.8% equal to the square root of the golden ratio. Matter and energy are thus divinely proportioned.

From my book The Divine Proportion: [4]

A two-dimensional representation is the most effective way to perceive the divine proportion’s essential quality of self-similarity. The golden rectangle is just such a two-dimensional figure (the golden triangle is another) where the ratio of the longer side to the shorter side is equal to Ф divided by 1, which reduces to Ф.


On the right side of the figure, the shorter side is subdivided again such that what was formerly the smaller part is now the larger, namely the side with the length of 1. The ratio of the new larger segment (1) to the next smallest segment equals 1 divided by 1/Ф, which also reduces to Ф. The subdivision continues in this way, always reducing to Ф.

The golden rectangle implies a spiral, composed of circular arc segments centered on the corner of each square. The smallest rectangle at the end of the spiral is also a golden rectangle, so the process of divine subdivision can continue infinitely inward. The divine proportion is always the same and does not depend on the length of the line being divided.

“Like God, the Divine Proportion is always similar to itself.” –Luca Pacioli (1447–1517)

Spiral galaxies and cyclones (hurricanes) naturally approximate the form of golden spirals.

Images from The Divine Proportion

Images from The Divine Proportion

The fact that the same form appears at such vastly different scales and contexts reveals a universal pattern. I think the reason we see this pattern is that it is built from a simple “recurrence relation”—an equation that recursively defines a sequence. Once one or more initial terms are given, each further term of the sequence is defined as a function of the preceding terms.

The Fibonacci sequence (1, 1, 2, 3, 5, 8, 13, 21, 34, …) is an example of a recurrence relation where each subsequent number is the sum of the previous two. You can create arbitrary recurrence relations like the Fibonacci sequence from any two initial terms. Taking the ratio of any two adjacent terms approximates the golden ratio: the higher the value of the terms, the better the approximation.


I recently created a geometric recurrence relation with the 3:4:5 Pythagorean right triangle. I made this image by simply iterating the triangle and the squares made from its edges. It’s amazing that it has a natural, fractal quality and that the spirals form discrete approximations of golden spirals.

Fractal 3:4:5 triangle and squares

Fractal 3:4:5 triangle and squares

I suspect that a cyclone is formed by a recurrence relation of air pressures. A simple mathematical sequence that builds on itself results in this form. The same is likely to be true of stars in spiral galaxies in terms of solar wind pressures.

The divine proportion turns up at the stellar scale. In 2015 a team of astrophysicists discovered that “the brightness of some stars pulsates at primary and secondary frequencies whose ratios are near the golden mean.” [5]

How could it be that the quantum effect mentioned with “Schrödinger’s cat state” atoms appears also at a cosmological scale? Read on to understand that the divine proportion patterns matter at all scales.

I discovered that the divine proportion shows up on the planetary scale.

From my book Secrets In Plain Sight: Leonardo da Vinci: [6]

The combined polar diameters of Earth and Moon (16185.6 km) divided by the equatorial diameter of the Earth (12756.2 km) is 99.8% equal to √Ф. The size of our planet and its natural satellite fit this elegantly simple geometry.

“Simplicity is the ultimate sophistication.” –Leonardo da Vinci

The circumference of the circle is equal to Ф x π and the perimeter of the square is equal to 4 x √Ф. Therefore, the circumference is 99.9% equal to the perimeter. It is impossible to exactly square the circle because one can never quite rationalize π.

“It is the mark of an instructed mind to rest satisfied with the degree of precision which the nature of the subject admits and not to seek exactness when only an approximation of the truth is possible.”

At the scale of cities, a few architects mysteriously encode the divine proportion in the their culturally significant structures without publicizing that knowledge.

From The Divine Proportion:

The CN Tower in Toronto is the tallest structure in the Western hemisphere at 553.33 meters in height and was the tallest structure in the world when built in 1976. The glass floor and outdoor observation deck in the Main Pod are 341.99 meters (1122 feet) in height. 553.33 / 341.99 ≈ Φ (99.99%).

Le Corbusier, the lead architect of the United Nations Secretariat building, previously developed a proportional system used for building design called the Modulor, which was based on human measurements, the divine proportion, and Fibonacci numbers. [7]

“Mathematics is the majestic structure conceived by man to grant him comprehension of the universe.” -Le Corbusier

At the molecular scale, the code of life itself is divinely proportioned.

From The Divine Proportion:

The view at the top of the illustration shows that the structure’s axis is arranged as a decagon, with 1 as the radius and Ф dimensioned across the molecule. The double helix’s relationship of major to minor grooves is also divinely proportioned. The overall pitch of the spiral compared to its diameter is likewise an expression of Ф (99.9%).

DNA is organized into nucleotide triplets, called codons. Geneticist Jean-Claude Perez discovered that the frequency in which codons appear in the human genome are strongly linked to Ф. [8]

The code of life is a multidimensional embodiment of the divine proportion.

Leonardo da Vinci showed how the human body is structured by the divine proportion.

In the book I explore whether the mass appeal of Da Vinci’s art could be due to his practice of encoding the divine proportion into his works. After all, his dozen or so paintings are the most visited, most discussed and most expensive art in the world.

From Secrets In Plain Sight: Leonardo da Vinci:

Leonardo depicted a man in both a circle and a square, based on the ancient canon of proportion found in the writings of Vitruvius…The primary divisions in the golden rectangles point to the navel and heart. The navel is the center of the physical body…The heart is the center of the energetic body, with three chakras above and three below…The golden rectangle anchored on the page itself points to the idealized man’s third eye.

In a recent study, plastic surgeons surveyed 1682 people to discover their aesthetic preferences for navel position on the human abdomen. “When comparing navel position on the same body, the majority of participants choose the one with the navel relocated according to the golden ratio (i.e., 1.618).” [9]

It appears that people prefer the proportions of the idealized body that Da Vinci depicted over 500 years ago. I assume this is because the human body is structured using the divine proportion.

From Secrets In Plain Sight: Leonardo da Vinci:

In Da Vinci’s painting “St. John the Baptist” (c.1513), he uses the golden rectangle to point out the prophet’s third eye and his finger pointing to heaven…The spiral convergences on the prophet’s third eye. On the right image, the secondary vertical division locates the upward pointing index finger and dramatically verifies the analysis.

The thesis of my book on Da Vinci is that he consistently pointed with the divine proportion’s divisions to physical and illuminated third-eyes.

“Adrian Bejan, professor of mechanical engineering at Duke’s Pratt School of Engineering, thinks he knows why the golden ratio pops up everywhere: the eyes scan an image the fastest when it is shaped as a golden-ratio rectangle.” [10]

The divine proportion must therefore be built into our visual cortex.

The pineal gland is the physical manifestation of the third-eye chakra. A fascinating article from states the following:

In 2004, Dr. David Klein, Chief of the Section on Neuroendocrinology at the NIH, discovered that the interior of the pineal gland has retinal tissue composed of rods and cones (photoreceptors)…just like the eye, and is even wired into the visual cortex of the brain. He also noted that it even has vitreous fluid in it. Within this context, it would seem that the scientific community may need more courage to follow this evidence wherever it may lead in the pursuit of scientific truth, especially where it concerns the pineal gland’s role as a human sensory organ, and to forego old and outdated theories.

“The photoreceptors of the retina strongly resemble the cells of the pineal gland.” -Dr. David Klein [11]

Albrecht Durer may have learned perspective and the divine proportion from Da Vinci or Luca Pacioli, who at one time lived with Da Vinci. After all, Pacioli and Da Vinci published a book together called De Divina Proportione (1509). Here is what Pacioli wrote in the book’s Introduction:

“A work necessary for all the clear-sighted and inquiring human minds, in which everyone who loves to study philosophy, perspective, painting, sculpture, architecture, music and other mathematical disciplines will find a very delicate, subtle and admirable teaching and will delight in diverse questions touching on a very secret science.” [italics by the author]

The science of the divine proportion had to be secret in their day because these Renaissance luminaries could have easily been burned at the stake for the implications of this science. I believe Da Vinci saw the divine not just in a transcendent heaven (following the church dogma), but through this science saw the divine immanently in the human body and in the world. If this is really true, then one doesn’t need the church hierarchy to “see God”—only the mind’s eye is required.

More ink has been spilled on Albrecht Durer’s “Melancholia I” than any other engraving. [12] Inspired by Franz Deckwitz’s study (1979), I found related but different geometry in my geometric analysis:

Albrecht Durer's Melancholia I

Albrecht Durer’s Melancholia I

I see the eyes of the melancholy genius staring directly at the third-eye of the cherub, who is surrounded by a “magical” pentagram. The pentagram traces the angle of the ladder and the horizon and is grounded by the square that it sits on. Again we are directed to a third-eye, this time of a divine cherub.

Pentagrams resonate with the divine proportion. Perhaps that is their magic?

Michelangelo also encoded the divine proportion in the world’s second most famous work of art after Da Vinci’s Mona Lisa, which also encodes it (shown in my book).

In a 2015 paper entitled “More than a neuroanatomical representation in The Creation of Adam by Michelangelo Buonarroti, a representation of the Golden Ratio,” [13] the co-authors build on Dr. Frank Lynn Meshberger’s 1990 discovery that, “The Creation of Adam represented in the Sistine Chapel shows God surrounded by a drape that has the shape of what he believed to be the sagittal section of a human brain.” [14]

The co-authors demonstrate that the gap where Adam receives the divine spark is precisely and fittingly pointed to using the divine proportion.

From Secrets In Plain Sight: Leonardo da Vinci:

With this geometry you can see that Adam’s body gracefully follows the arc and the primary horizontal division in both golden rectangles share the same datum line. This datum line leads from Adam’s eye straight into the heart of God, which is the pineal gland, or third eye, according to Michelangelo’s neuroanatomical representation [revealed by Meshberger]. The divine proportion and the third eye are literally the bridge to the infinite, or “divine realm.”

Michelangelo could have easily been burned at the stake for suggesting that the route to God is within, rather than through the official social hierarchy of God-representatives…Once you see its structure you being to understand why it is so powerful and sense Michelangelo’s humanistic intent of encoding such a secret in plain sight.

“The noblest pleasure is the joy of understanding.” – Leonardo da Vinci

I believe that the divine proportion works on us because it is part of our bodies, our DNA, and even our atoms, as this article has outlined. For this reason, we tend to resonate with—and preferentially choose—just about anything that is proportioned with the golden ratio, even if we are not conscious of it.

In the macrocosm, the divine proportion structures cyclones in the atmosphere, governs the proportions of the Earth-Moon system, patterns the pulsing of stars, and continuously orders spiral galaxies (my book The Divine Proportion has many more examples).

This hidden universal symmetry operates at all scales.

The charge radius of the proton is 8.775 x 10-16 m, which is 16 orders of magnitude smaller than our human scale. The entire universe has a radius of approximately 14 billion parsecs (4.3 x 1026 m), which is 26 orders of magnitude larger than the human scale. The full gamut of scale is thus 16 + 26, or 42 orders of magnitude from a proton to the entire universe. Amazingly, 42 / 26 is 99.8% equal to Ф, so it logically follows that the human scale is the divine measure of all things!

I see a rebirth of this ancient knowledge—a New Renaissance—starting to happen right now. However, it is going to require a major conceptual revolution. The time is ripe to scientifically understand this profound hidden universal symmetry and apprehend the fundamental mathematical reality of the universe. The “substance” of the universe is number—geometry—music, the universal language.

Philosophy is written in this grand book, the universe, which stands continually open to our gaze. But the book cannot be understood unless one first learns to comprehend the language and read the characters in which it is written. It is written in the language of mathematics, and its characters are triangles, circles, and other geometric figures without which it is humanly impossible to understand a single word of it; without these one is wandering in a dark labyrinth. —Galileo Galilei (1623)

What use is language to anything but consciousness?

“I regard consciousness as fundamental. I regard matter as derivative from consciousness. We cannot get behind consciousness. Everything we talk about, everything that we regard as existing, postulates consciousness.” -Max Planck (1931), who was awarded the Nobel prize for his discovery of energy quanta.

Scott Onstott

This article also appears on




“Water is the driving force of all nature.” -Leonardo da Vinci

Where there is water, there is life. That is what is so exciting about finding water on other planets, the possibility of extraterrestrial life.

Suomi NPP space telescope took this in 2012. Image credit: NASA/NOAA/GSFC/Suomi NPP/VIIRS/Norman Kuring

Suomi NPP space telescope took this in 2012. Image credit: NASA/NOAA/GSFC/Suomi NPP/VIIRS/Norman Kuring

Our planet’s surface is covered in mostly water. Our cells are made of mostly water. Seawater and blood are chemically similar. “[Seawater] has even been used in transfusions in emergency situations when blood or plasma wasn’t available and the patient needed to have his blood volume maintained.” –Source

I looked into the structure of water, and was surprised to find that scientists aren’t certain of the geometry of the water molecule. “A recent review listed 46 distinct models, so indirectly indicating their lack of success in quantitatively reproducing the properties of real water.” –Source

The most popular water model (SPC/E) lists the distance between the hydrogen and oxygen atoms at exactly 1 Å (1 angstrom = 10^-10 m). The angle between the hydrogen “arms” (shown as theta in the chart below) varies from 102.7° to 113.24° across the 46 models.



One of the most complex models, Six-site, has the angle at exactly 108°, well within the limits of the rest of the models. Knowing what I do about sacred geometry and the divine proportion, I’d like to propose my own water model. Here it is:

My water model

My water model

The beautiful thing about my model is that water is based on the pentagon/pentagram, the symbol of life. I wrote about this in my Snowflake and a Flower post back in 2011, “5 is the number of life.”

Furthermore, when water freezes, it spontaneously orders itself in hexagonal structures. I wrote, “6 is the number of structure.” Water is its own 6/5 relation, no flower needed.

You can see the hexagonal structure at the molecular scale…

The molecular structure of water ice. Image by P99am CC BY-SA 3.0

The molecular structure of water ice. Image by P99am CC BY-SA 3.0

…and much larger at the scale of snowflakes:


A question I posted on Facebook is, “How does each arm of a snowflake ‘know’ to grow itself in symmetry with the other arms? The arms are very far away from each other, atomically speaking. There must be a field that causes the spontaneous order to emerge.”

Some say it is sound that structures snowflakes but all you hear in a snowfall is silence. Some say it is the environmental conditions of pressure, temperature, humidity, etc that allows the crystals to grow exactly as they do. That is some “environment” or “music” to vary itself with such granularity such that every snowflake grown is unique.

My pond in winter

My pond in winter

Every snowflake appears to me like a crop circle design it is silent brilliance. If geometry were a song or a language then a snowfall would be a symphony or a work of treasured literature. If only we had the ears to hear or eyes to decode the geometric language, what we might learn!

“God geometrizes continually.” -Plato

There are 333 million cubic miles of water on Earth, an interesting volume. Of that only 0.003% is fresh, unpolluted water.

Fir0002/Flagstaffotos CC BY-NC

Fir0002/Flagstaffotos CC BY-NC

“You are not a drop in the ocean. You are the entire ocean in a drop.” -Rumi

Learning from CERN

CERN’s Large Hadron Collider (LHC) is the largest, most complex and most expensive machine ever built on this planet. Over 10,000 scientists and engineers from over 100 countries collaborated on its design and construction.

The purpose of the machine is essentially to study the interrelation between the physics of the very small (quantum mechanics) and the physics of gravitation (general relativity).

The LHC consists of two rings: one large and one small. The smaller ring is called the Super Proton Synchrotron (SPS), which is used as the final injector of high intensity proton beams just prior to particle collision.

Here is how the LHC looks along of the border of France and Switzerland, near Geneva:


Goro Adachi discovered in 2008 that the ring sizes correlates with the sizes of Earth and Moon. My “Earth-Moon diagram” below shows these bodies in their correct proportions. I drew two intersecting lines through the center of Moon for reasons that will soon become clear.


Inspired by the many fascinating correlations Goro Adachi just blogged about the LHC, I drew the following map of our inner solar system.


Note: Planets have elliptical orbits. The Sun is not located at the center of all the ellipses but in one of two foci of each ellipse. This makes the top view rather complex and particular. Adachi kindly sent me data from Starry Night Pro, which I verified by drawing each elliptical orbit in AutoCAD. I had to locate each orbit’s focus at the center of the Sun and orient each orbit’s perihelion.

I rotated the entire solar system so that Earth’s perihelion (the point in the orbit closest to the Sun) was at the bottom or 6 o’clock position. Then I took the linework from the Earth-Moon diagram shown above, colored it red, and placed the point of tangency of the two circles on the Earth’s perihelion. I scaled the red diagram to fit Venus’ orbit. Adachi noticed that the intersection point of the crossing lines (representing the center of the Moon in the Earth-Moon diagram) appears to be on Venus’ orbit.


Next, I copied the Earth-Moon diagram again and this time colored it yellow. I placed the bottom of the Earth Moon diagram on the 6 o’clock position and scaled it down to Venus’ orbit. I noticed that the top of the smaller yellow “Moon” circle appears to be tangent to Mercury’s orbit.


Once more I copied the Earth-Moon diagram and this time colored it green. It didn’t work in the 6 o’clock position so I rotated the diagram 180° to the 12 o’clock position. I placed the top of the diagram on Mars’ orbit and scaled it to fit the orbit of the Red planet. The center of the “Moon circle” is on Earth’s orbit. Adachi discovered this happens precisely at Mars’ perihelion.


The three correlations in red, yellow and green read like a cosmic blueprint.

I conclude that the Earth and Moon’s proportions strongly correlate with the orbits of our neighboring planets, implying masterful design.

The Earth-Moon proportion is very interesting in itself. It is a mystery I have written about before in this blog and in Quantification. Here is an image showing additional correlations:


Were the builders of CERN members of a vast international conspiracy to encode the proportions of Earth and Moon into their instrument? How did they keep that a secret? Why would they do such an unlikely thing? Encoding such macrocosmic harmony would be especially improbable for those who study the smallest microcosms.

Did aliens build the Moon so that it would fit into the cosmic harmony? If so, they must also have placed Mercury, Venus and Mars just as they are to create these harmonious correlations. How far must the conspiracy go before you start to question your belief in conspiracy? Why personify actors where none might exist?

Let us now consider another possibility exemplified in mound-building termite ants.


These ants construct vast complexes that are sometimes constructed over millennia. They intentionally seed, grow and harvest fungus inside, employ complex air conditioning systems that keep the internal temperature constant, build residences, nurseries, manage and transport water within the structure, build structural reinforcements, conduct building maintenance and repair, widely tunnel into the surrounding ecosystem affecting its fertility in positive ways, and are constructed with a great degree of awareness and specialization. All of this implies intelligence far exceeding any individual ant brain.

Read this fascinating National Geographic article for more info.

Who is the termite architect? With what material mind does this architect think? Are his/her neurons the individual ant brains? If so how would this architect physically communicate with millions of workers and constantly let them know what to do? Logically there cannot be any such material ant mind.

Explaining the ant conundrum leads us unavoidably to non-material possibilities. Is there an ant super-mind coordinating the colony’s activities over a long time, across countless ant generations? Is there an ant mind controlling the entire species? If the mind isn’t physical then we won’t be able to weight and measure and make it falsifiable. Perhaps there are subtle electromagnetic traces we have yet to discover. Perhaps the ants communicate with a fungal mind. The NatGeo article suggested as much:

“Collectively, the colony’s fungus accounts for nearly 85 percent of the total metabolism inside the mound, and Turner speculates that the fungus may send chemical signals to the termites that influence—control?—the way they build the mound. ‘I like to tell people that this may not be a termite-built structure,’ he says. ‘It may actually be a fungus-built structure.'” –Source

If so, fungus is a form of intelligent life. Terence McKenna certainly thought so (read Chapter 19).

Fungal mycelium on coffee grounds - Image by Tobi Kelner CC BY-SA 3.0

Fungal mycelium on coffee grounds – Image by Tobi Kelner CC BY-SA 3.0

Next up to consider: is there a human super-mind, coordinating the actions of 10,000 scientists and engineers at CERN? Is that God? If so, that would certainly be ironic!

The ancient of days by William Blake

The ancient of days by William Blake

Could the human super-mind be the Internet? Remember, the Internet was invented at CERN. I see the Internet as technological biomimicry of the human species super-mind.

Map of the Internet Jan 2015 - The Opte Project CC BY 2.5

Map of the Internet Jan 2015 – The Opte Project CC BY 2.5

How does Gaia consistently maintain myriad conditions for life on the knife edge, including whatever we humans have done quite recently to throw that balance off?

Suomi NPP space telescope took this in 2012. Image credit: NASA/NOAA/GSFC/Suomi NPP/VIIRS/Norman Kuring

Suomi NPP space telescope took this in 2012. Image credit: NASA/NOAA/GSFC/Suomi NPP/VIIRS/Norman Kuring

“I think much good will come from recovering a sense of the life of the heavens. We are coming to see the Earth, Gaia, as alive. I think we also have to take seriously the idea that the Sun is alive and conscious. If one wants a scientific rationale for this, it comes ready to hand through the discoveries of modern solar physics. We now know that the Sun has a complex system of magnetic fields, reversing its polarity every eleven years, associated with the sunspot cycle. With this underlying rhythm of magnetic polar reversals are a whole series of resonant and harmonic patterns of magnetic and electromagnetic change – global patterns over the surface of the sun of a fractal nature; patterns within patterns, highly turbulent, chaotic, sensitive, varied and complex. As electromagnetic patterns within our brains seem to be the interface between the mind and the nervous system, here we have a parallel in the physical behavior of the sun. It is perfectly possible that the sun has a mind which interfaces with the solar system itself as an organism. This is largely what astrology has concerned itself with.” -Rupert Sheldrake

Is there a solar super-mind, coordinating the sizes and orbits of its planets to maximize harmony?

NASA Goddard Space Flight Center

Coronal mass ejection image by NASA Goddard Space Flight Center

The neuronal structures within our brains, unplanned roads, and the large-scale structure of the universe (simulated on the Max Planck supercomputer) all exhibit the same specific branching, filamentous pattern. Come to think of it, so too do fungal mats, and maps of the entire Internet. What these disparate phenomena have in common is that they are all information processing networks.


Is there a universal super-mind processing all of its in-formation, holographically passing data to smaller network processing structures, all the way down?

Is your brain really the place where consciousness happens or do we have it all backwards? What if your brain is just a dumb physical receiving set that tunes into a channel of the human super-mind, like the way a radio tunes into the music or like the individual termites seem to do? Is there a hierarchy of minds and super-minds all the way up?

If so then the awareness running through all possible minds—gross and subtle—is the same awareness coordinating your human life. It is who you are. You are not only your limited human body nor your local human mind. You are vast. You are the architect, the patterner. You are the conspiracy. That is the deeper lesson of CERN.

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